County Line

COUNTY LINE is a masterpiece of storytelling. Some critics have described it as "crime noir" -- I'm not entirely certain what that means, but it seems to fit: the book has an undeniably dark tone and crimes are committed. It's a genre in which I'm not well read. But I know good writing when I see it, regardless of genre, and in reading this book it became patently obvious very early on that Cameron is a fiercely talented writer.

The protagonist, Skin Kadash, a homicide cop for 25 years, is now retired and living in Portland, OR. Ruby Jane, the woman he cares about -- even he seems reluctant to define her as something more serious, given that he's not quite sure his feelings are reciprocated -- has gone missing. And there's a dead guy in her bathtub. So Kadash sets out on a mission to find her. This book is about his relentless journey halfway across the country and back, and deep into Ruby Jane's painful past, to find a woman who seems determined not to let anyone discover where, or who, she really is.

Kadash is smart and also a bit of a smart-ass. He's wryly self-deprecating while at the same time projecting a tough quiet confidence in his knowledge and experience as a cop. He's not afraid of physical pain, in fact seems to expect it, but is vulnerable to emotional anguish -- his own, but especially that of others. It's a delicate balance and Cameron draws that line with finesse.

Ruby Jane is a pure mess. We see her primarily though the hellish yet oddly matter-of-fact first hand account of events from her distant past. She's a character featured in earlier books, but I haven't read those so my first impressions are not of her as a grown woman but as a teen, a girl with experiences and responsibilities beyond her years. Her story is heartbreaking without being maudlin. Her strength and resilience stand as defiant affirmation without the lecture. Again, an incredibly difficult but brilliant characterization.

In fact, the depictions of Ruby Jane's horribly dysfunctional home life and of teenage girls with their capacity for cliquish cruelty are handled so well, with such simple unflinching authenticity, I wouldn't hesitate to recommend COUNTY LINE as a YA selection.

Cameron employs a complicated and potentially disjointed method of telling this story, switching between present and past events and offering narrative from diverse alternate points of view, but he pulls it all together seamlessly. There's just enough wry humour to keep it from being too dark, just enough sensitivity to serve as a salve to the brutality, and definitely enough "what the heck is going on?" to make it gripping and unpredictable all the way to the end.

I was given this book in exchange for an honest review from FSB Media, whether it was good or bad review.  I definitely think I am ready for the next one.
it was a great read, so give it a try